公元15-16世纪西藏勉塘画派研究

A Study on the Miantang Painting Group of Tibet during 15th-16th Century

勉塘画派是公元15世纪以后在西藏影响最大的画派,创始人勉塘·门拉顿珠画师,在继承齐乌冈巴绘画传统的基础上,融合了他对佛像艺术的理解和审美标准,同时吸收了中原的绘画因素。本文对该画派的创始人勉塘·门拉顿珠画师的生平、该派绘画理论著作及该画派的风格特点作了探讨。

Miantang painting group was the painting school with the greatest influence in Tibet after the 15th century.Painter Miantang Monlam Dondrub,the initiator,introduced his understanding of Buddha painting arts and his aesthetical standard to traditional Qiwugangbar painting on the basis ofinheritance and absorbed elements of the paintings of central China at the same time.This essay makes a discussion on the life of painter Miantang Monlam Dondrub,the initiator of the painting group,and theoretical works about this painting school and the style and characteristics of the painting school and summarizes the painting style of this painting group.