中国民族风格小提琴音乐中的滑音演奏技巧——以《梁山伯与祝英台》为例

Glissando——The Catching Point in Chinese Native Style Violin Music——Take LIANG Shan-bo and ZHU Ying-tai as an Example

在小提琴演奏中,滑音不仅是一种技术性手段,更是小提琴音乐的表现手段。本文通过对小提琴协奏曲《梁山伯与祝英台》中滑音的分析显示,在极具中国特色的小提琴作品乃至其它具有中国民族风格音乐的演奏中,滑音及其滑指手法有着特殊的作用——画龙点睛。

In violin performance, glissando is not only a technical skill, but also a way of violin music manifestation. Through the analysis of the glissando in violin concerto LIANG Shan - bo and ZHU Ying - tai, this article points out that glissando has a particular function, i.e. the catching point, not only in Chinese native style violin music but also in other music with Chinese native style.