意象化叙述:从张爱玲到毕飞宇

Narrating through Imagery:from Zhang Ailing to Bi Feiyu

区别于现实主义"细节描写"的意象化叙述是张爱玲小说的最大特点,也是她能够创造出前现代/现代中国参差形态的主要途径。当代作家毕飞宇从时间意象化、空间意象化、人物命运意象化等诸方面承续和发展了张爱玲小说叙事的想象力和形式感。和张爱玲"物化苍凉"的生命悲剧性体认不同的是,毕飞宇在"物化伤害"的过程中更多出了几分"现代"的焦虑和批判。

Narrating through imagery that distinguishes from detailed description of realism is a most important feature of Zhang Ailing＇ s novels and the main path by which she creates the heterogeneous morphology of pre - modern/modem China. The contemporary writer Bi Feiyu inherits and develops Zhang Ailing＇s imagination and sense of form by imagery of time, imagery of space and imagery of character＇ s destiny. Different from Zhang Ailing＇ s tragic experience of being in materializing desolation, Bi Feiyu employs more anxiety and criticism in materializing injury.