从现代还乡——陈应松神农架系列小说解读

Returning from the Modern——An Interpretation of Shennongjia Series of Novels by Chen Ying-song

分析陈应松从不自觉到自觉地寻找文学故乡的成长变化,从"还乡"的视角切入其"神龙架系列小说",以回归原始、现代、现代现实主义为重点,力求从整体上把握陈应松小说的思想和艺术特色,探讨有关新乡土文学的创作经验与美学发现,并试图回答困扰当今文坛的诸多普遍性问题。

This paper has analyzed Chen Ying-song＇s development from subconscious to conscious striving for literature hometown, studied his Shennongjia series novels from the perspective of returning hometown, with returning to the primitive, the modern and modern realism as the key points, so as to grasp the thought and artistic characteristics of Chen Ying- song＇s novels wholly. Then it has explored the creation experience and aesthetic discovery of new local- color literature and tried to answer the universal problems harassing modern literature field.