摘要
铁凝长篇小说《大浴女》反思主题的揭示在很大程度上得益于对复调性对话体的成功运用。这一文体在小说中主要有三种表现形式:人物自身内心的对话,人物之间的对话,人物自语式的长篇对话。对话体不仅是作品思想得以传达的有效方式,更有作家的自审意识为依托。文体、作家意识、作品思想三者实现完美契合,使对话体不再仅仅是一个艺术形式,而成为一个文化事件。这也是铁凝在文体文化上对中国新时期小说的贡献。
The revelation of the theme of introspection in Tie Ning's The Bathing Girl to a great degree results from the successful use of the dialogic form. This style in the novel has three forms of expression: dialogue in characters' inner self, dialogue between characters, and the lenghthy dialogue characteristic of the characters' soliloquy. The dialogic form is not only an effective way to communicate the thought but is supported by the author's own introspection. The perfect synthesis of style, the author's consciousness and thematic concern makes the dialogic form not only an artistic form but a cultural event. This is Tie Ning's contribution to the style culture of Chinese novels in the new period.
出处
《廊坊师范学院学报(社会科学版)》
2009年第4期24-27,共4页
Journal of Langfang Normal University(Social Sciences Edition)
基金
山东科技大学"春蕾计划"基金项目--"铁凝与现代中国文化建设"(2008AZZ134)的阶段性成果
关键词
对话体
《大浴女》
文体文化
dialogic form
The Bathing Girl
style culture