波普建筑抑或浮世蜃楼?

Pop Architecture or Mirage of Consumerism?

本文从冷战时代的文化战争和全球化时代的资本主义文化逻辑两个方面讨论了波普建筑的兴起,并借鉴《景观社会》的观点分析了波普主义建筑貌似拥抱大众、实则只是取悦眼球的虚伪与犬儒。

This article is to examine the emergence of Pop Architecture from two angles of cultural logic： 1 ） the culture battle during the Cold War; 2） the capitalism under the globalization. And besides, it points out that referring to Guy Debord＇ s ＂The Society of Spectacle＂, Post-Modernism architecture just presents hypocrisy and cynicism under the mask of intimacy with populace.