摘要
现行的民族高校油画专业课程设置分为油画写生和油画创作,这一分类有利有弊。任何认识和被认识的对象都是有距离的,绘画语言是表情达意的形象,是艺术家对世界的一种认识方式,更是以画家自己的艺术思想为中介环节的创造。油画写生课程要调动和发挥少数民族学生的主观能动性,教师必须在课堂教学中根据具体画面,从色彩、造型两方面把握适当的课堂调节,拓展学生的艺术视野,激发学生的艺术灵感,这样更符合油画艺术的规律。
The current curriculums of oil painting in ethnic universities are divided into courses of oil painting from life and oil painting creation.This classification has both sides.Painting language is a way for artists to express their feelings and meanings.It reflects their understanding of the world and also their creation based on their artistic ideas.In the course of oil painting from life,in order to stir up and give full play to subjective initiative of students,teachers must make changes in color and shape according to specific paintings, expand students' artistic vision, and stimulate their artistic inspirations. This can make the course better suit the law of oil painting.
出处
《民族教育研究》
CSSCI
北大核心
2009年第4期93-95,共3页
Journal of Research on Education for Ethnic Minorities
基金
中央民族大学"211工程"项目"中国少数民族油画肖像选集"部分成果
关键词
油画写生
主题创作
绘画语言
oil painting from life
themed creation
painting language