《三色》:被置换的自由、平等和博爱

The Metathesis of Freedom Equality and Fraternity

《三色》系列将自由、平等、博爱化入个体生存领域。导演基耶斯洛夫斯基进而对自由、平等和博爱进行了一次置换。《蓝》讲述自由之路的终点是平等。《白》则嘲讽平等的不可能,只能靠博爱来弥和。《红》追问博爱的可能性,进而如何在爱中获得自由。三部曲首尾相贯最终形成一种意义的循环。由此,一方面通过置换,由自由获得平等,由平等认识博爱,由博爱追问自由。另一方面随置换所产生的生存裂缝突显出自由、平等和博爱这些意识形态理念的非全性质。

＂Three- Colors： Blue, White, Red＂ serials are suggesting the three colors in French flag, and the films explore the freedom, equality and fraternity in individual domain. Furthermore, director Krzysztof Kieslowski makes metathesis of freedom, equality and fraternity. ＂Blue＂ reveals the equality in the end of freedom. ＂White＂ shows that it only depend on the fraternity when we can＇t have equality. ＂Red＂ questions the possibility of fraternity and how to get freedom from love. So the trilogy moves in a circle. As a result, on the one hand, through the metathesis, we could get the equality from freedom, recognize the fraternity through equality, and question the freedom by fraternity. On the other hand, it reveals the ＂notall＂ of freedom, equality and fraternity.