摘要
文学中的梦意象描写既具有意象的共性特质,又具有梦境题材所特有的表现张力。《庄子》寓言关于梦意象的开创性应用对后世具有深远的影响力。对梦意象的分析不应局限于推论性的审美层面,更应关注其表现性的审美机制研究。本文立足于文本分析,从言、象、意三个层面解构庄子寓言梦意象的动态生成过程,并籍此理顺梦文学创作从能指到所指的实现思路。
Besides the common features, literary image of dream has its special expressiveness tension. The crea- tive using of dream image in Zhuangzi parable has greatly influenced the traditional Chinese literary. The research of dream image should not be confined in inferential aesthetic level, but on aesthetic mechanism. Base on text and semi- otic analysis, This paper reveals the creation of Zhuangzi' s dream image on three aspects Yan (word), Xiang ( image), Yi (meaning). It may be helpful to get the implementation idea of dream literary writing from Signifier to Signified.
出处
《红河学院学报》
2009年第4期70-73,共4页
Journal of Honghe University
关键词
意象
梦
表现性
庄子寓言
image
dream
expressiveness
Zhuangzi parable