摘要
清末民初上海都市文化的多元性和异质性是近代小说书写的不尽源泉。陆士谔的上海书写与想象因其反映社会生活的深广度,揭露都市阴暗的犀利以及憧憬理想城邦的热烈而具有一定代表性。陆氏小说对城市化进程中东西方异质文明的冲突、传统与现代价值观念的磨擦及城市恶之花的蔓延作了尽力摹写甚至夸张处理,充分折射出近代文人对上海都市文化的"非本土化"、非理想化所共有的屈辱与焦虑,以及对传统价值观和乡村文明如影随形的依恋。
At the end of Qing dynasty and the beginning of the Republic of China,the pluralistic and heterogeneous characteristics of urban culture in Shanghai were the inspiration spring of modern novels. The writing and image of Shanghai in Lu Shie's novels just reflected broad social living,disclosed urban blackness and showed a longing of ideal city. His novels made a detailed and deep description of conflicts between heterogeneous eastern and western civilizations,friction between traditional and modern ideas. Those novels fully reflected a common humiliation and anxiety of modern literati who found nothing of localization and idealization of urban culture in Shanghai. There was also an attachment of traditional value and rural civilization.
出处
《社会科学》
CSSCI
北大核心
2009年第9期170-179,共10页
Journal of Social Sciences
基金
上海市重点学科中国古代文学专项项目(批号:S30403)的阶段性成果
关键词
陆士谔
上海书写
焦虑与憧憬
Lu Shie
Writing of Shanghai
Anxiety and longing