论陕西作家的地缘情结与审美方式

On the Geographical Complex and Aesthetic Form of Shaanxi Writers

黄土情结是陕西乡土地界所独有的一种文化心理现象。它包括了由地理环境而生的地缘、经济、政治和人际乡情等多种文化"原型"。陕西作家的文学创作源于这种历史文化积淀深厚的地缘情结,并因此而形成三种主要的审美方式:以善与美的冲突为基质的审美方式,注重展示传统伦理与个性欲望的冲突,表现时代背景下的血亲伦理冲突的悲剧意义;写今贯古的双层意蕴结构审美方式,既通过表层描写反映特定时代的民众生活,又在文本深层意蕴结构中寄寓了丰富的历史文化内涵,具有"史今同构"的双层审美效应;文化批判为主导的审美方式,揭示与批判了民族民间文化传统中有悖人性人伦的丑陋行为与阴暗心理,具有文化的批判性和审美的现代性。

In their literary writing, Shaanxi writers have drawn upon their geographical complex of solidly-accumulated historical culture, that is, the Loess Complex, and thus have developed three leading aesthetic forms of their own. The first aesthetic form is that on the basis of conflict between good and evil, which lime-hghts conflict between traditional ethnics and personal desire. The second is an aesthetic form with dualistic implication of the old and the present, which is of double aesthetic effect of ＂isomorphism of history and today＂. And the aesthetic form primarily of cultural criticism, which is critical in culture and modernistic in beauty appriation.