摘要
在上帝死亡之后如何完成自我实现,这是现代西方人面临的一个严峻问题。对这一问题的解读也正是艾丽丝.默多克的小说《黑王子》的要旨所在。通过布雷德礼与阿诺德之间的摹仿关系,小说展现了镜像化自我实现的必然性与悖谬性,并通过爱情、回忆和死亡探讨了人超越镜像化自我实现、回归本质的可能性。
It is a serious question, after the death of God, for the western people to fulfil themselves. Iris Murdoeh, in her novel The Black Prince, touehes on this question. This article discusses the neeessity and paradox of the mirror image through the relationship between Bradley and Arnold, revealing the possibility of the characters＇ self-knowledge and self-fulfillment beyond the mirror image through love, memory and death.
出处
《国外文学》
CSSCI
北大核心
2009年第3期105-112,共8页
Foreign Literatures
