摘要
本文从《乐圃林居图》中所提供的信息,并结合诸多文献记载,详细考评了倪瓒的创作缘起和具体创作时间,指出《乐圃林居图》不但是倪云林少有的绢本、大幅杰作,更重要的是它还是倪氏有生之年的最后画作,堪称绝笔。文章还通过收藏印记的辨识,对画幅在明清时代的流传经过及倪氏伪本、仿本进行了梳理,以此说明这是一件流传有绪的作品。
From information contained within the painting titled Yuepu Lin Ju Tu,used in combination with documentary evidence,the author of this article examines in detail the origins of Ni Zan's creative career and the specific times when he was creatively active, pointing out that not only was the work in question one of the few paintings on silk of Ni Zan (Ni Yunlin),but that this large masterpiece would,more importantly,have been one of the last works he ever painted.Carefully examining the various seals on the work,and combing through the forgeries and imitations of Ni's work passed down from Ming and Qing dynasties, the author demonstrates that an uninterrupted process of transmission of this work can be established.
出处
《故宫博物院院刊》
北大核心
2009年第4期104-112,共9页
Palace Museum Journal