摘要
中国书法与奇石文化,在我国有着悠久的历史渊源,成为文人雅士绘画之余的情感寄托。书与画虽说在之后的发展中,一路符号抽象成书,一路塑形具象为画,但是书法与绘画沿用着同样的工具,并且都以线条为主;拜石文化中觅石、藏石、观石乃至写石的奇品确立,透过这些侧面,能够说明时代审美思想的演变,以及个人审美变化同样发生在书风和拜石的追求上,甚至与绘画互相影响。
Chinese Painting and Exotic stones has perpetual history in China,naturally becoming intellectual elitism's emotions and expectations.Yet Calligraphy and Chinese Painting are developing as being abstract and concrete in two separated ways,they are created by the same tool and lines mainly, Searching stones,collecting stones,viewing stones and writing stones' assuring some extremely strange ones in worshiping stone culture,through which represents the evolution of aesthetic thought from time to time and the changes of personal aesthetics occurs on pursuit book morality and stone worship and even interacting with paintings.
出处
《上海工艺美术》
2009年第3期62-64,共3页
Shanghai Arts & Crafts