论威廉·布莱克版画技术和他独特的视觉语言 中国传统吉祥文字“寿”的图形化方法

Of William Blake's printmaking technique and unique visual language

本文主要通过对威廉·布莱克作品中文本与图像的关系的研究,对当代版画的反思并对笔者个人作品创作所产生的启示。全文主要分三个章节来论述,第一部分主要介绍了威廉·布莱克作为英国19世纪浪漫主义代表艺术家与他的时代,在之后章节中对威廉·布莱克的版画技法进行分析,布莱克既很好地继承了传统铜雕版技术也开拓了对他的复合艺术产生深远影响的技术革新—"凸版蚀刻"的技术出现,我对威廉·布莱克的作为诗集或是故事集中插画的艺术形式的理解和作品的创作受到其影响来看待我们现在所创作的版画作品以及版画现状,了解威廉·布莱克的作品中的复合艺术的形式让我们能够重新审视我们现在的版画艺术。

The relation between text and picture in William Blake's works is what I study on,which generates an introspection and announcement on contemporary printmaking.The analyzing into Blake's printmaking techniques in later chapters,William Blake heritages the traditional engraving technique as well as his composite art making impact on his revolutionary'relief etching'technique.The inspired contemporary printmaking is concerned for the last section for the dissertation.:Mostly,contemporary printmaking is presented without text besides the picture,yet which kind of printmaking is able to be a certain fine art,is quite distinguished from the former narrative ones,seem weaker in a way.I am here re-considering Blake's composite art' s illustrated style with text and picture for understanding contemporary printmaking situation,which influences on my personal thoughts and style through printing works and looking forward to see the bright future for printmaking field.