唐代乐府诗格律化倾向探析

Metrical Tendency of Yuefu Poems in the Tang Dynasty

唐代是近体诗格律不断发展并最终定型的时代,唐代乐府诗的创作也受到诗律的巨大影响。通过对《乐府诗集》、《全唐诗》中收录的全部2405首唐代乐府诗的格律分析,可以揭示唐代乐府诗的字句、用韵特点和五七言乐府诗的平仄合律程度、对仗使用情况,唐代十一类乐府诗中的同题作品和乐府诗代表作家的声律特点。通过声律考察,可以发现唐代乐府诗存在较明显的格律化倾向,从只求合乐到追求合律是乐府诗的重要演变趋势。

Modern-style poetry develops and stabilizes in the Tang Dynasty, the creation of which is heavily influenced by poetic rhythms. This paper focuses on 2405 Yuefu poems anthologized in The Complete Collection of Tang Poems and The Anthology of Yuefu Poetry. Based on the poetic rhythms required of mod- em-style poetry, the author analyzes the diction and metrical patterns of Yuefu Poems in the Tang Dynasty. The use of antithesis, flat tone or oblique tone in five-character and seven-character Yuefu poems is also analyzed. Among the eleven categories of Yuefu poems in the Tang Dynasty, metrical patterns, adopted by repre- sentative authors and embodied in Yuefu poems on the same subject, are categorized. A comprehensive study of the metrical trend is made, thus revealing the transition from conformity in sound to conformity in metrical patterns.