摘要
詹姆逊以马克思主义作为最重要的理论资源,总结了西方当代文艺阐释思想的经验、教训,重新认识了文艺与社会之间的关系。他创造性地提出了"政治无意识"概念,并把它作为文艺阐释的目标;詹姆逊的文艺阐释学具有重视重写、马克思主义、文本、文本及阐释的语境等特点。正是通过这一切,其文艺阐释建立起了社会与文本之间的有机联系、平衡,克服了轻视社会因素或轻视形式作用的弊端。这样,它既具有鲜明的特色,又推进了西方文艺阐释学和马克思主义文艺阐释学的发展。
With Marxism as the most important theoretical resources, Jameson the experiences and lessons of contemporary Western art interpretation study and re -understands the relationship between art and society. He creatively presents the idea of " political unconscious" and regards it as the object of art interpretation. Jameson's art interpretation study has the characteristics of emphasizing rewriting, Marxism, text and context for interpretation. It is through all these factors that his art interpretation constructs the connection and balance between society and text, thus overcoming the possible tendency to ignore social elements or formal functions. On the one hand, it has clear characteristics ; on the other hand, it accelerates the development of Western art interpretation study and Marxist art interpretation study.
出处
《艺术百家》
北大核心
2009年第5期94-100,125,共8页
Hundred Schools In Arts
基金
全国艺术科学"十五"规划文化部青年课题"话语的踪迹:中国当代美学
文艺思潮
文艺理论
访谈与研究"阶段性成果之一