摘要
本文通过对艺术史叙事结构多样性问题的探讨,着重揭示艺术史叙事结构存在的多种方式,进而探讨艺术史叙事文本的结构意义。文章从三个方面对所涉及的问题进行论述:一、中外艺术史治史方式形成的叙事结构差异;二、艺术史叙事结构与叙事理论的互证阐释;三、艺术史叙事文本的结构意义。通过论述表明,艺术史叙事结构的多样性主要表现为:采用多种叙事方法建立起艺术史的叙事结构,既表现在对认知客体的文献搜集、筛选归纳和叙事谋篇的多种把握;又表现在治史目的的引导下,以多样的叙事结构与叙述方式对艺术史多重脉络的组合与描述,这是艺术史叙事结构多样性问题探讨的旨归。
The present article, through the discussion on the variety of the art history narrative structure, reveals the various ways of art history narrative structure, and then analyzes the structural significance of art history narrative text. It analyzes the problems concerned in the following three aspects: 1 ) the difference of narrative structure caused by Chinese and foreign study methods of art history; 2) the mutual evidence and interpretation between the narrative structure and the narrative theory; 3) the structural significance of art history narrative text. Through the analysis, it shows that the variety of the art history narrative structure mainly manifests that the art history narrative structure established by various narrative approaches includes both the various mastery of literature collection, selection and summary, and narrative plotting and the various combination and description of art history in various narrative structures and approaches under the guidance of the research purpose, which is the key aim of the discussion on the variety of the art history narrative structure.
出处
《艺术百家》
北大核心
2009年第5期139-146,188,共9页
Hundred Schools In Arts
基金
国家"211工程"三期"艺术学理论创新与应用研究"项目阶段性成果之一