摘要
魏晋南北朝时期,旧意识形态的消散和新思想观念构造的嬗变使得儒学、佛学和道教建立起了新的精神空间。儒、佛、道的相互斗争,玄学的盛行以及"施用用宜"设计伦理评判标准的确立,构成了人与设计物的互动关系。这些设计伦理充分体现在魏晋南北朝时期的建筑、石刻、服饰及各类器物上,在形而上、形而下方面对后世设计艺术产生了巨大而深远的影响。
In the period of Wei , Jin , South and North Dynasties, the release of the traditional consciousness and the birth of the new thinking concepts made the Confucianism , Buddhism, and Daoism build a new spiritual space. The constructions, inscriptions, clothes, ornament and other different sort of utensil fully reflectedthe mutual combation among these three schools, prevailing of metaphysics and the establishment of the assessment standard of the design ethics, called shiyongyongyi . The design art of the later ages have tremendously and profoundly influenced on the metaphysical and physical aspect.
出处
《艺术百家》
北大核心
2009年第5期225-227,共3页
Hundred Schools In Arts
基金
2008年南京晓庄学院科研资助项目"中国传统造物观与现代艺术设计伦理的比较研究"(项目编号:2008NXY20)阶段性成果之一