摘要
1986—1995年是当代汉诗相对沉寂的时期,学界也少有专论。关于那个时期“先锋诗歌”的所指范围,应该关注以下几种现存文本:“口语诗”“非非主义”和相当具有此类倾向的政治波普;由海子、骆一禾、戈麦等元素诗人带来的大量追随文本;常被称为“新古典主义”或“新浪漫主义”的集体劳作;以及在1986年至1995年之间民间诗报、诗刊上的个人或圈子似的努力。对该时期的先锋诗歌进行精神背景、意识与情结、语言态度及策略、阅读效果诸方面的指认和分析,可以提供一个解读此时段大陆先锋诗歌的诗学角度、路径。
From 1986 to 1995 ,the production of Chinese poetry lacked any energy and its discourse academically disappeared. In this phrase, avant-garde poetry had taken on four looks, as follows:vernacular and Feifei' s poems and a like political pop ; the elementary writings of Haizi, Luo Yihe, Ge Mai, and their ramifications;collective endeavor of so called neo-classicism or Neo-romanticism groups;individual or groups explored in the many of the nongovernmental poetry magazines and papers. Spirit context, intention and complex, attitude of language, strategy, effect of reading, these aspects of the writings in the phrase need be analyzed and assigned. By this, a poetical path or point of view of reading of poetry about avant-garde poetry in this term can be found.
关键词
先锋诗歌
语言
文本
语言策略
阅读效果
avant-garde poetry
lauguage
text
lingual strategy
effects of reading