摘要
《亨利八世》是莎士比亚最后一部历史剧,一般认为是与弗莱彻合著的作品。莎士比亚怀着深厚的同情,把王后凯瑟琳描绘成为一个清纯高尚、真实可信、可仰望也可透视的人物。本文对剧中凯瑟琳的形象进行分析,指出她与宗教改革并无实际关联,并推断出莎士比亚拥有双重甚至多重信仰,或是往着两者都不信任的方向发展。具体表现在三个方面:凯瑟琳形象中"虔诚"与"叛逆"的矛盾,梦幻场景中包含的复杂宗教因素,天主教的凯瑟琳和新教的安妮的混杂。
Shakespeare＇s last history play, Henry Ⅷ （All Is True）, is considered by many scholars to have been written collaboratively by Shakespeare and John Fletcher. Queen Katherine is a very important role in this play. This essay aims at analyzing the character of the Queen Katherine, exploring the relation between Katherine and the Reformation, and drawing the conclusion that Shakespeare had dual or multiple religious beliefs. It is mainly displayed in the following three aspects： the religious and traitorous Katherine, complex religious factors in the Vision, and comparative study of Catholic Katherine and Protestant Anne.
出处
《外国语文》
CSSCI
北大核心
2009年第4期61-65,共5页
Foreign Languages and Literature
