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历史与想象:雷祖威、梁志英与伍惠明的小说艺术 被引量:14

History and Imagination:On the Art of Fictions of David Wong Louie,Russell Leong and Fae Myenne Ng
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摘要 雷祖威、梁志英与伍惠明是继汤亭亭和赵健秀之后步上华裔美国文坛的一代重要作家。从此三人的代表作品短篇故事《生日》、短篇故事《何所不死?》、小说《骨》中一些带有标志性的形式策略和主题特征可见:尽管当代华裔美国文学创作在多元与复调的前提下已经越来越不受时间、空间和地域的限制,但是该文学想像的感人之处和生命力只能来自不断演进和变化的华裔美国社会和华裔美国历史,以及华人在此过程中生活、奋斗和憧憬的物质经历。 David Wong Louie, Russell Leong and Fae Myenne Ng follow in Maxine Hong Kingston and Frank Chin's footsteps as one generation of important Chinese writers in the U.S. hterary. We can grasp the landmark strategic forms and topic characteristics from their representative works such as short stories The Birthday, Nowhere to Die and novel Bone. The American Chinese literature has been becoming with no restriction of time, space and place on the condition of pluralism society; however, its vitality only comes from the changing Chinese communities and Chinese history in America and the Chinese experiences in the process of their longterm struggles.
作者 凌津奇
出处 《南开学报(哲学社会科学版)》 CSSCI 北大核心 2009年第5期35-42,共8页 Nankai Journal:Philosophy,Literature and Social Science Edition
关键词 华裔美国小说 雷祖威 梁志英 伍惠明 The American Chinese Novels David Wong Louie Russell Leong Fae Myenne Ng
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参考文献21

  • 1凌津奇.《叙述民族主义:亚裔美国文学中的意识形态与形式》,吴燕译,北京:中国社会科学出版社,2006年,第3-15页.
  • 2Chin, Frank, et. al., (eels), Aiieeeee ! An Anthology of Asian-American Writing, Washington, D.C.: Howard University Press, 1974, p.37.
  • 3Louie, David Wong., "Birthday", in Pangs of Love, New York: Plume, 1992, p.3.
  • 4Louie, David Wong. ,"Birthday", in Pangs of Love, p.16.
  • 5Eouie, David Wong. ,"Birthday", in Pangs of Love, p.16.
  • 6Louie, David Wong. ,"Birthday", in Pangs of Love, p.17.
  • 7凌津奇.“离散”三议:历史与前瞻[J].外国文学评论,2007(1):111-120. 被引量:24
  • 8Leong, Russell C., "Where Do People Live Who Never Die", in Phoenix Eyes and Other Stories, Seattle: University of Washington Press, 2000, pp. 154 - 169.
  • 9Leong, Russell C., "Where Do People Live Who Never Die", in Phoenix Eyes and Other Stories, p. 157.
  • 10Leong, Russell C., "Where Do People Live Who Never Die", in Phoenix Eyes and Other Stories, p. 155.

二级参考文献25

  • 1Soren Kierkegaard, Two Ages : The Age of Revolution and the Present Age. Princeton : Princeton University Press,1846/1978, pp. 91 -94.
  • 2Soren Kierkegaard, Two Ages : The Age of Revolution and the Present Age. Princeton : Princeton University Press,1846/1978, pp. 91 -94.
  • 3Friedrich Nietzsche, Beyond Good and Evil: Prelude to the Philosophy of the Future, trans. R. J. Hollingdale.Hammondsworth, England: Penguin Books, 1973,p. 195.
  • 4Malcolm Bradbury and James McFarlane, "Preface," in Modernism: A Guide to European Literature, 1890 - 1930,eds. Malcolm Bradbury and James McFarlane. New York :Penguin, 1976, p. 13.
  • 5Linda Hutcheon.A Poetics of Postmodernism (1988).
  • 6Theodore Adorno, Minima Moralia: Reflections on a Damaged Life, trans. E. F. Jephcott. London: NLB,1974, 38 -39.
  • 7Samuel Weber, "Mass Mediauras: or Art, Aura, and Media in the Work of Walter Benjamin," in Walter Benjamin: Theoretical Question, ed. David S. Ferris. Stanford:Stanford University Press, 1996, pp. 29 -34.
  • 8Rey Chow, Writing Diaspora: Tactics of Intervention in Contemporary Cultural Studies. Bloomington: University of Indiana Press, 1993, p. 7, p. 15.
  • 9Vincent B. Leitch, Decogstructive Criticism : An Advanced Introduction. New York: Columbia University Press,1983, pp. 118 -119.
  • 10Houston Baker, Jr, Blues, Ideology, and Afro-American Literature: A Vernacular Theory. Chicago: University of Chicago Press, 1984, pp. 4-8.

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