郁达夫文艺观的嬗变

The Transmutation of Yu Dafu’s Concept of Literature and Art

康德美学认为文学是自身的审美自律性与社会功能的辩证统一。中国几千年的封建历史中,文学艺术的社会功能一直处于主导地位,直到"五四"时期,文学的审美价值才真正受到重视和礼遇。从传统的文艺观和现代历史语境的角度,来辨析郁达夫在文艺功能观上由真、善、美的统一到偏离的嬗变轨迹,有利于我们更清晰地认识郁达夫的文艺观。

Kantist aesthetics holds that literature is the dialectical unity of self aesthetical discipline and social functions. In China＇ s thousands years of feudalist history, the social functions had been dominating literature and art, It was not until May 4th Movement that the aesthetical value was given emphases. This article attempts to analyze the transmuting traces from the unity of truth, virtue and beauty to deviation in Yu Dafu＇ s idea of the functions of literature and art, in the hope of helping people to better understand his literary view.