期刊文献+

从庞德意象派诗歌看中西诗学的审美交汇

Ezra Pound's Imagist Poetry from the Chinese and Western Poetics Aesthetic Intersection
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摘要 西方意象派诗歌发现了中国诗学、诗歌的独特内容和表现方式,并在学习中创作出一些比较成功的作品。中国的读者、研究者以本民族的审美理想、审美态度和诗学理论去欣赏和研究这一流派的经典作品,感悟和谐、广阔的意境空间,以寻求中西诗学的交汇点。 It can be found that the unique content and expression of Chinese poetics and poetry in west imagist poetry. In the process of learning, some successful works can be created. From the perspective of nation's aesthetic ideal, aesthetic attitudes and the poetic theory, Chinese readers and researchers appreciate and study the classical works in this genre. Based on understanding and harmony, it is a meaningful work to pursue the aesthetic intersection of Western and Chinese poetics.
作者 王彤
出处 《保定学院学报》 2009年第5期100-101,共2页 Journal of Baoding University
关键词 意象派诗歌 意象 意境 虚静 审美交汇 imagist poetry image artistic conception emptiness and quietness aesthetic intersection
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参考文献1

  • 1张伯伟.全唐五代诗格汇考[M]江苏古籍出版社,2002.

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