摘要
郁达夫在留日期间就深受马克思主义理论的影响,因此在他的文艺理论、尤其是创作主体观的论述中带有马克思文艺美学的倾向。他以"天才观"、"自叙传"、"情绪史"的形式强调创作个性,同时又以"零余者"的形象、感伤的情绪,折射出特定时代和社会的不幸。
Yu Dafu was deeply impacted by Marxist theory when he studied in Japan, so his literary theory, especially his main concept of creativity contains the tendency of Marxist aesthetics. He emphasizes creative personality in the form of ＂genius＂, ＂auto- biography ＂ and ＂emotional history＂ and at the same time reflects a particular time and social misfortunes in the image of ＂extra person＂ and a sentimental mood.
出处
《漳州师范学院学报（哲学社会科学版）》
2009年第3期95-99,共5页
Journal of Zhangzhou Teachers College:Philosophy and Social Sciences
关键词
郁达夫
马克思关学
艺术个性
社会性
Yu Dafu
Marxist aesthetics
artistic personality
sociality
