摘要
从诗歌主旨内涵、诗歌抒情主体和诗歌艺术三个大的方面考察了《卷耳》漫长的接受史,从中可以看出随着时代的发展,历代评论家关注的重点都有所转移。从最初阐发温柔敦厚的诗教到最终还原诗歌的本来面貌,并对诗歌本体进行深入、细致和全方位的考察,这其中不仅反映了时代思想对文学艺术的影响,更可见出诗歌批评理论的逐渐发展和不断成熟。
This thesis investigates the "Grasswort "through three aspects: the subject connotation, the expression protagonist and the artistic of the poetry. According to the long accepting history, we can see that the critics in different times focus on different aspects, from the exploring of poetry education to the returning of its artistic value and the deepening, thoughtfulness and overall appreciation of the poetry ontology itself. This history reflects not only the influence of dominant ideas to literature and arts, but also the gradual development and maturizing of the poetry critical theory.
出处
《安徽广播电视大学学报》
2009年第3期82-84,共3页
Journal of Anhui Radio & TV University
关键词
《诗经·周南·卷耳》
主旨内涵
抒情主体
诗歌艺术
The Book of Songs·Zhounan·C-rasswort
subject and connotation
the expression protagonist
art of the poetry