摘要
从学理层面探讨当代审美文化建设与传统审美文化资源的内在联系,依然是一个亟待解决的问题。首先,当代审美文化因其具有"审美与生活相同一"的特异品格,并同经典美学"审美超功利、无目的"话语模式迥然异趣,而被人们命名为"后现代"或"现代"的文化,但其与"前现代"即古代审美文化资源的联系却被大大忽略。其次,当代审美文化的崛起与中国市民社会的发展直接相关,也因此显示了与中国传统审美文化之间难分难解的历史联系。再次,当代审美文化中"传统"审美文化资源以"道不远人"的哲学—美学精神,同当代语境中的"现代"、特别是"后现代"审美文化因素呈现出互补与融合的状态。
It still remains a problem needing to be settled to discuss the inherent connections between the construction of contemporary aesthetic culture and the resources of ancient aesthetic culture from the theoretical aspect.First,the contemporary aesthetic culture is regarded as 'postmodern' or 'modern' culture for it has the distinguishing quality that aesthetics is the same as the life and its discourse pattern is quite different from that of classical aesthetics whose characteristic is that aesthetics is beyond utility and without purpose.But the connections between it and the resources of ancient aesthetics tends to be ignored.Second,the rise of contemporary aesthetics is directly related to the development of Chinese civil society and there is inextricable historical relation between it and Chinese traditional aesthetic culture.Third,contemporary aesthetic culture includes both the 'traditional' aesthetic cultural resources and the 'modern' or 'postmodern' aesthetic cultural factors and they complement each other and tend to be syncretized.
出处
《理论学刊》
北大核心
2009年第9期114-119,共6页
Theory Journal
关键词
当代审美文化
后现代
市民社会
古代审美文化
资源
contemporary aesthetic culture
postmodern
civil society
ancient aesthetic culture
resources