摘要
《诗经》最早摄取了先民自然纯朴的爱情画面,内容丰富多彩,已至情景交融的艺术境界。屈原以大自然为背景,描绘了人、神之间超越现实的爱情幻想。魏晋南北朝乐府民歌,感情真挚,风格鲜明,文人爱情诗,侧重女性体貌、服饰描写,注重辞藻与声律。唐代爱情诗汲取民间情歌营养,走向生活化、世俗化和经典化,晚唐爱情诗笼罩着浓郁的感伤色彩。爱情诗至宋代被新兴词体取代而渐趋衰微。宋初强调锤炼字句,重视形式华美,北宋后受词体影响而转趋婉丽典雅。
In "The Book of Songs" it first depicts our ancestors, s natural and simple love screen. Its contents are rich, and its feelings and scenarios are blended. Qu Ynan depicts the love between people and God which is beyond the fantasy reality against the backdrop of nature. The feelings are sincere and the styles are clear - cut in the folk songs of the Wei and Jin Dynasties; the love poems focus on women's physical appearance and clothing description, pay much attention to rhetoric and sound patterns. Love Poems in the Tang Dynasty absorbs nutrition from folk love songs, becoming lively, secular, classical and overshadowed by the rich sentimental color. Love Poetry in the Song Dynasty is replaced by new poems and it declines gradually. In the early Song Dynasty it lays emphasis on the choice of words and form; after the Northern Song Dynasty it becomes more elegant impacted by Ci .
出处
《大连大学学报》
2009年第5期34-37,共4页
Journal of Dalian University
关键词
宋代前
爱情诗
背景文化
Pre - Song Dynasty
love poetry
cultural background