论中国古代戏曲的结构

Research on Chinese Ancient Drama Structure

中国古代戏曲种类繁多,形式多样,但在文体形态上表现为场次安排、角色行当和叙事格局三个方面,普遍采用点线式结构,包括单线型、双线型和变异型等结构形态,在结构方法上体现出首尾贯穿、照应埋伏、一线到底和一人一事等方法。古代曲论家对戏曲结构的逐渐重视,使得戏曲结构处于不断的发展变化中,戏曲创作也呈现出繁荣景象。对戏曲结构的认识,有助于我们深入认识戏曲独特的艺术魅力。

The ancient Chinese dramas have a great variety. However, in the literary form, all types of dramas are showed by scene-arranging, various roles and narrating patterns. The dot-line pattern structure is in general use, including single-line pattern, double-line pattern and variation pattern, etc. The structure approaches which are used in the dramas have many ones, such as running through from beginning to end, context anaphor, one clew throughout the dramas, single narrating, etc. The ancient drama critic gradually attached importance to the drama structures, which made the drama structures in the incessant change and development, so that the drama creation shows prosperity. Understanding the drama structure contributes for us to appreciating the unique artistic charm of ancient drama in depth.