荷尔德林的文论与现代汉诗写作的法度

The Literature Theory of Hoelderlin and Writing Law of Modern Chinese Poem

从比较诗学的视野出发,通过分析德国语言和文学走向成熟时所面对的模仿和创造、自身与他者的相关悖论,尤其是以荷尔德林的文论和诗歌作品为参照,来思考中国现代诗歌如何建立法度的问题。我们试图从文体学、语言学、诗歌进行的方式以及纯粹概念四个层面建构出一个对诗歌进行严格"法度计算"的评论模型,以此推动现代汉诗走向自觉的写作。

From the viewpoint of comparative poetics and refer to literature theory of Hoelderlin, through discussing how Germany culture faced the problem between mimesis and creation, and paradox between the selfhood and the otherness, we seek after a new Law of modern Chinese writing in order to let our literature to become ripe and get the self-understanding. We try to consture a new mode of poetic calculating law which inclouds fourfold： style, language, poetic process and pure idea, so that this mode can push forward modern chinese poet to write chinese modern classics.