陈代《杂曲》与宫体诗写作模式新趋向

Chen Dynasty "Potpourri" and the New Trend of Palace Poetry Writing

《乐府诗集》录傅縡、徐陵、江总数人《杂曲》共五首,皆为"美张贵妃之容色"的宫体诗,这些作品创作背景,体现了诗歌与陈代社会荒淫的关系;但从宫体诗歌创作进程与写作模式来看,又有新趋向,即变以事件表现人物为以铺叙手法再现人物;对更为广阔的女性活动背景的注重;七言长篇的形式达到了铺张扬厉的效果。写作模式的新趋向已为宫体诗内容上的转换提供了艺术上的借鉴。

＂The Anthology of Yuefu＂ had recorded five ＂Potpourri＂ composed by Fu Zai, Xu Ling and Jiang Zong etc. These five were all palace poetry which ＂exaggerates the beauty of the concubine in the palace＂. The creation background demonstrated the dissolute relationship between the poetry and Chen dynasty society ; but they embodied new trend while viewed from the process and the writing pattern of the palace poetry. New trends are a change from the original character displayed by events to character displayed by narration ; an emphasis on a broader background of female activities and a new pattern with seven-word length which reached a certain ostentatious and extravagant effect. The new trend of the writing pattern provided the artistic model for the transformation of the content of palace poetry.