摘要
郭熙的艺术道路伴随其仕途起伏而历经变化,从最初积极的儒家入世思想渐入清静无为的道家思想,这是他反复于现实及内心世界双重选择的必然结果,并最终在绘画创作中将平远向无限的飞跃作为对内心高逸情结的召唤。
Guo Xi＇s artistic road experienced great changes with the gurgitation of his official career. From the original active Confucian thought to the negative idea of Taoist, it＇s his struggle between the dubble choice of the reality and his inner world which led to his leap from smooth farness to infinity in his artistic creation . It can be considered as a call for his inner lofty leisure complex.
出处
《河南理工大学学报（社会科学版）》
2009年第2期279-282,共4页
Journal of Henan Polytechnic University:Social Sciences
基金
2009年度河南理工大学人文社科基金资助项目内容
项目编号:R2009-13
关键词
郭熙
道家思想
平远
Guo Xi
Confucian thought
horizontal farness
