摘要
南朝乐府新声,即吴声和西曲,渊源于徒歌民谣,经"被之管弦"发展为乐歌,并经历了消费期和转化期两个阶段。在南朝新声由下而上的动态演进过程中,晋宋齐与梁陈时代的新声在辞乐面貌、创制方式、乐歌定位及乐歌与诗歌的关系等方面体现出一定差异,反映了乐府新声的诗体特征和一般的发展规律。
Yue-fu xinsheng in Southern Dynasty, that is, Wusheng and Xiqu, originated from folk songs, developed into songs by way of deploying musical instruments, experienced its consumption and transformation periods. In the dynamic evolution of bottom-up process, Xinsheng in the Jin, Song, Qi, Liang and Chen dynasties, there are some differences in words, creating means, songs positioning, and the relation between songs and poetry, which shows the poetic features and the general law of development of Yue-fu.
出处
《广西师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2009年第5期46-50,共5页
Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)
基金
国家社科基金资助项目阶段性成果(项目批准号09CZW023)
吉首大学博士科研启动基金资助项目(项目编号jsdxkyzz200802)
关键词
南朝
乐府新声
发展历程
Southern Dynasty
Yue-fu Xinsheng
Development