摘要
中国美学史的研究应该关注人格理想,一些美学范畴、命题才有各得其所的归宿;人格理想的嬗变决定着审美观念的嬗变。考察先秦时代的审美观念,尤为容易验证。《周易》所崇尚的是保合太和、兼备易简之善的"圣人",孔子可谓是乾、坤二德的最佳体现者,因而顺理成章地成为中华文化的奠基人。孔子之后正好出现了两极之间的翕辟成变:《孟子》推崇"大人"或"大丈夫",高扬乾健精神,《老子》(通行本)和《庄子》则尊崇内敛抱一的"圣人"或"至人",守持坤顺精神。屈原兼受儒家思想的影响和道家气质的濡染,其审美观念随着华夏民族文化中心的南移而得到广泛传播。至此,华夏美学形成儒、道、屈分立与互补的格局。
the study of Chinese aesthetic history should concern personality ideal and some aesthetic categories and propositions can have their proper destinations. The change of aesthetic perception is subiect to the change of personality ideal. This is particularly testified by surveying the aesthetic perceptions in Pre-Qin Dynasty. Chinese aesthetics has formed a state of Confucianism, Taoism and Quism and they are supplementary.
出处
《中南民族大学学报（人文社会科学版）》
CSSCI
北大核心
2009年第5期144-150,共7页
Journal of South-Central Minzu University (Humanities and Social Sciences)
关键词
人格理想
审美观念
美学史
先秦时代
personality ideal
aesthetic perception
Pre-Qin Dynasty
