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中国油画的“民族化”移植和改造 被引量:2

The Soil of Oil Painting's Existence and Development in China
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摘要 中国油画家在民族审美意识的指导下对油画的语言进行探讨和运用,在这过程中体现着崇高的现实主义精神,这种精神不是直接从西方拿来的,而是通过咀嚼和消化,把西洋油画纳入自己的语汇体系,形成富有中国油画民族化的语言风格。这种风格表现了艺术家对生命体验的独特过程,是灵魂的吟唱。 The language for oil painting is studied and applied by of national aesthetic consciousness in this paper and then a kind of Chinese languag oil painters under the instruction e style with the Chinese oil painting national character formed. There is a lofty realistic spirit during the formation of this kind of language style and both the western oil painting and the spirit generated through the chew and digestion of western oil painting instead of getting it from the West are put into the Chinese language system. So, the language style is the chant of soul and still the distinctive course of artist experience to life.
作者 乔兰
出处 《青海师范大学学报(哲学社会科学版)》 2009年第4期102-103,共2页 Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)
关键词 油画 民族化 改造 oil painting nationalization reformation
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