摘要
一部七百年关汉卿研究史,是一部学术理念从古典到现代的演变史,结合对关剧的认知体验,从此演变史开掘和寻找,发现关汉卿戏曲在古典文艺环境中是一种新颖的民间形态。如若能够充分认知这种民间形态,也就同时揭开了元曲大部分作者不同于前代文人士大夫的生存状态和美学追求。
The 700 years' research of Guan Hanqing is an evoultionary history of academic philosophy from classical to modem views. If we set off from this evolutionary history, we'll find that Guan's dramas are a brand new folk form grew in the environment of classical literature. If we can fully understand this folk form we can also understand the different survival conditions and aesthetic pursuit of most of the Yuan drama writers different from the previous scholar-officials.
出处
《深圳大学学报(人文社会科学版)》
CSSCI
北大核心
2009年第5期98-105,共8页
Journal of Shenzhen University:Humanities & Social Sciences
关键词
元杂剧
关汉卿
民间形态
学术史
Yuan dramas
Guan Hanqing
folk forms
academic history