铸人象神与三星堆文化的张扬之美

"Icons of Human-symbolizing-god" and the Beauty of Magnifyingness of Sanxingdui Culture

三星堆文化中最能引起轰动效应的、最有地域文化特征的是其风貌独特的"人像群",目前研究者认为它是出于巫术祭祀的宗教目的、服务于神人交通的主题的看法并未揭示其更深层次的意蕴。从其表现内容、表现形式等方面考察,"人像群"还意味着古蜀人的自我意识开始觉醒,是古蜀人用人的尺度建构艺术世界,通过人物造型的艺术符号借神扬人的尝试。人的张扬是潜藏于"人像群"中的理性内核,使之在审美风貌上表现为"张扬之美"。

The ＂Human Icons Cluster＂ which best represents the unique geographical cultural characteristics is the most stirring part of the Sanxingdui Culture relics. Researchers usually advocate that the phenomenon works for the ancient religious purpose of sorcery and the theme of expressing god-human communication. However, such opinion fails to reveal the connotation at a deeper level. Studied from their contents and forms, the icons cluster indicates the awakening of the ancient Shu people＇s self-consciousness. It is the Shu people＇s attempt to construct artistic world by human standards and to magnify human nature through god by means of artistic symbols of human icons. The magnifing of human nature is the rational kernel lurking in the ＂Human Icons Cluster＂, which contributes to the formation of ＂Beauty of Magnifing＂ in terms of aesthetic scene.