摘要
从女人如何变疯癫这一视角探寻女性身份的迷失。在父权文化和菲勒斯中心主义社会,女人的疯癫与女性身份的迷失有着天然的联系。通过对伯莎.梅森疯癫的剖析,探寻女性身份迷失之谜。伯莎.梅森是19世纪英国女作家夏洛蒂.勃朗特《简.爱》中的人物,是男主人公罗切斯特的原配妻子。作者力图通过分析这个角色的社会背景及其被扭曲的他者形象,展示其被边缘化的轨迹。从这个边缘和失语的人物身上,可以看出男权社会对女人的歧视和迫害,使人们对女性身份的迷失有一个更深刻的了解,从而解构菲勒斯—逻各斯中心主义的中心地位。
From the perspective of how women become insane, this paper deals with the loss of woman's identity in general. In male - dominated and phalocentric society, women's insanity and the loss of their identity have a natural link. By analyzing the reason why Bosha Mason got insane, this paper intneds to solve the myth of the loss of woman's identity. Bersha Mason is a character in the novel "Jane Eyre", written by the famous 19th Century British woman writer Charlotte Bronte. Bosha is the wife of the man Rochester whom Jane loved. This paper tries to indicate how she was maltreated, and became the other, by analyzing her background and the way of her being marginalized. From the analysis of this character, people can see how phalocentrie society discriminates and persecutes women in general so that people can further understand the loss of woman's identity and decentralize phalocentrism in society.
出处
《哈尔滨工业大学学报(社会科学版)》
2009年第5期124-128,共5页
Journal of Harbin Institute of Technology(Social Sciences Edition)