论“审美生产主义”建构的中国历史语境

On the Chinese Historical Context Constructed by "Aesthetic-production Theory"

在传统的计划经济体制下,文艺与政治的关系构成文论的主要问题,20世纪80年代,"审美意识形态"论在这种关系中提出审美自主性问题,而在由计划经济体制向市场经济体制的转型中,中国文论界围绕通俗文艺、文艺商品化、人文精神及大众文化等出现的一系列学术论争,使文艺与经济关系问题日益凸显出来,这标志着中国当代文论正经历着由"政治学"范式向"经济学"范式的转型。"审美生产主义"理论力图在这种中国历史语境中重新提出和探讨文艺的审美自主性问题。

In the traditional planned economy system, the relationship between literature and politics is the most important issue for literary theory, and the aesthetic autonomy of literature is valued in this relationship in the aesthetic-ideology theory in 1980s. In the process of transition from the planned economy to the market economy, a series of academic debates on the popular literature, the commercialization of literature, the humanistic spirit and the mass culture highlighted the relationship between literature and economy, which indicates the transformation from politics-paradigm to economics-paradigm in the circle of Chinese literary theory. The aesthetic-production theory, in the Chinese historical context, has put forward and explored the issue of aesthetic autonomy of literature.