从文学和书法看东汉后期艺术精神的自觉

Looking at the Consciousness of Art Spirit from Literature and Calligraphy in the Later Stage of Eastern Han Dynasty

作为艺术的两种典型代表形式,文学和书法在东汉后期获得了迅猛发展,由此昭示了艺术精神的逐渐觉醒。这主要表现在两个方面:审美主体方面,主体的自我意识已经逐渐觉醒,并开始自觉进行艺术创作;审美客体方面,已开始注重作品的抒情性和审美性的双重展现。

As two kinds of representative forms of art, literature and calligraphy have developed swiftly and rapidly in the later stage of Eastern Han Dynasty, which awakes the art spirit gradually. This can be illustrated mainly from two aspects： on the aesthetic subject aspect, the body has already had self- awareness and begins to create works conscientiously; on the aesthetic object aspect, it has already attached the importance to the works＇ emotion-expressing and the aesthetic characteristics.