蒙克的色彩与梵·高的线条——鲁迅如何以文字形式实现表现主义倾向构图

The Color of Edvard Muncr and the Line of Vincent van Gogh——How did Lu Xun Realize His Expressionistic Composition in the Form of Characters

鲁迅先生不是画家但很喜欢绘画,他更多是借助于色彩性与线条性很强的文字来构图。对于鲁迅文字构图的画面感以及与绘画艺术的相通之处,研究者大多从中国绘画的技艺角度去研究,很少联系北欧的绘画风格,从灵魂和精神的层面上对鲁迅的构图进行研究。在此,本文尝试从鲁迅先生的文字构图中寻找"蒙克的色彩"与"梵高的线条",并在此基础上寻找他们精神特质的共通之处。

Lu Xun was fond of painting. Though he was not a painter, he composed his works by means of characters which are quite strong in color and line. There are already some studies on the aesthetic feeling we can get from Lu Xun＇s works which is quite similar to that of a picture and on the similarity between his way of composition and the art of painting. But most of the re- lated studies tend to approach the composition of Lu Xun＇s works from the perspective of Chinese painting, few of them has related Lu Xun＇s way of composition to the drawing style of Northern Europe and study his way of composition from the level of spirit. The paper tries to search for ＂the color of Edvard Muncr＂ and ＂the line of Vincent van Gogh＂ in the composition of Lu Xun＇s works and on that basis gets the similarities between the spiritual particularities of them.