“中国审美学派”论纲

On "Chinese Aesthetic School"

自上世纪80年代以来,以钱中文、童庆炳、王元骧为代表的"中国审美学派"建构了一个以"审美意识形态论"为核心思想的马克思主义文艺理论新体系。该理论体系的建构深深植根于中国的现实土壤并不断发展和走向完善,引发了一系列历久弥新的学术命题,开辟了宏阔的学术空间,为我国文艺理论的发展揭开了新的篇章;"中国审美学派"有着敏锐的"问题意识",它抓住了有重大意义的时代问题,有着鲜明的实践品格;"中国审美学派"及其理论在指导当今文学创作和批评实践,提升国人的人格修养与道德境界,有效地参与中国现代文化的建设等方面,仍将有着十分重要的意义。

＂Chinese aesthetic school＂, among which Qian Zhongwen, Tong Qingbing and Wang Yuanxiang are the important representatives, have established a new system of Marxist literary theory since 1980s, whose core idea is ＂theory of aesthetic ideology＂ . The new system of literary theory is based on the Chinese realistic life and at the same time constantly developed and improved. It brings about a series of academic proposition and opens up a great academic space for Chinese literary theory. ＂Chinese aesthetic school＂ has a keen sense of ＂problem awareness＂ . It captures an era of significant issues and has a distinctive character of the practice. It will play an important role in guiding the practice of literary writing and criticism, enhancing the people＇s personality and moral self-cultivation and participating effectively in the construction of modern Chinese culture.