期刊文献+

元小说的兴起是文学自身演进的结果

The Rise of Meta-Fiction is the Result of Evolution of Literature Proper
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摘要 传统现实主义小说被理所当然地视为现实生活的自然延续,叙述视角是全知全能的。现代小说的叙事由外在世界转向内在世界。后现代小说否定生活的规律性、必然性。这样要继续维护小说话语的权威性,就必须把这种自觉引进小说的叙述之中,返回自身,承认自身的局限、困境并充分利用它,作家们似乎别无选择,戏仿似乎势所必然。 Traditional realistic novels are naturally considered as the natural extension of real life, with an omniscient narrative angle. The narration of modem novels is transformed from outer world to inner world. Post-modem novels deny the regularity and inevitability of life. To maintain the authoritative position of novels, it is necessary to introduce the self-awareness into the narration, to return to oneself, to acknowledge the limits and predicaments of oneself and take full use of them. It seems that the writers have no other choice but to imitate as it is inevitable.
作者 刘满华
出处 《太原师范学院学报(社会科学版)》 2009年第5期88-90,共3页 Journal of Taiyuan Normal University:Social Science Edition
关键词 元小说 自我意识 文学 meta-fiction serf-awareness literature
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参考文献3

  • 1戴维·洛奇.小说的艺术[M].王峻岩.北京:作家出版社,1988.
  • 2约翰·巴思.法国中尉的女人[M].张中裁.北京:外语教学与研究出版社.1992.
  • 3米兰·昆德拉.小说的艺术[M].孟湄.北京:生活·读书·新知三联书店,1995.

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