摘要
桐城派文论把理想人性中的道德生命情调视为文学表现的本质内容和文学之美的根本显现。朱光潜继承和发展桐城派的文论思想,主张文艺要表现对人情物理充满想象性同情的真情实感。这一文艺思想是朱光潜移情美学思想和诗境美学理论的重要思想资源。
Tongcheng School of Literary Theory regards moral life and mood as the fundamental visualization of the nature of the contents in a literary expression and literary beauty.ZHU Guang-qian inherited and developed the thoughts of Tongcheng School of Literary Theory,advocating literature and art should manifest the true feeing described and represented by oneself,the external reality and one s imagination.The artistic expression is a process of invention and production that shapes these existential adventures. The idea is that ZHU Guang-qian empathized with the important ideological resources of literary aesthetic ideas and poetic aesthetic theory.
出处
《合肥师范学院学报》
2009年第5期86-89,共4页
Journal of Hefei Normal University
关键词
桐城派文论
朱光潜文艺观
移情
境界
Tongcheng School Literary Theory
ZHU Guang-qian literary concept
empathy
realm