三木稔筝曲创作对我国民族古筝教学的借鉴意义——以《乡音》为例

Referential Significance of Minoru Miki's Zheng Music to Teaching Classic Zheng in China——Taking Ah,My Hometown as an Example

三木稔是当代具有国际影响的日本作曲家,他的毕生精力主要集中在发展日本和亚洲民族器乐创作,他的一批优秀古筝作品已成为中国古筝教学和演奏的常见曲目。日本筝乐与我国古筝艺术有着同宗同源的关系,通过三木稔代表性筝曲《乡音》的音乐分析,追溯其筝曲创作的源流,把握其艺术特征,可以为促进和提升我国古筝教学实践及演奏水平提供借鉴。

Minoru Miki is a contemporary Japanese composer famous in the international world.He devotes all his life mainly to developing ethnic musical instruments in Japan and Asia.His excellent classic Zheng music pieces have become popular music pieces in teaching and performing classic Zheng in China.Japanese Zheng music shares the same source with Chinese classic Zheng music.Analyzing Minoru Miki s representative Zheng music Ah,My Hometown,tracing the source of his music creation and understanding his artistic features, can provide references for promoting and improving the level of teaching and playing Chinese classic Zheng.