摘要
"恶魔主义"发端的谷崎作品在前期文学通过设定一个虚构的世界,塑造不同缺陷甚至是"恶"之性格的作品人物,奠定了追求"永恒的女性"基调。残缺的暗示、对残缺的想象能够感受到日本的传统美意识,残缺彰显"美",艺术地塑造女性魅力体现一种不完美的"完美"。残缺与永恒的主题成为谷崎美学的重要表现形式。
Tanizakijunichirou, well-known for the various-deformed and even vicious characters created in his fictive world in his early works, sets his keynote in the pursuit of "women of eternity". We can sense the traditional Japanese aesthetics from the suggestion of deformity and imagination spurred by deformity. Tanizakijunichirou introduces perfectness by creating female charisma artistically --- by highlighting beauty on the setting of deformity, hence his aesthetics expressed by deformity and eternity.
出处
《湖北广播电视大学学报》
2009年第10期70-71,共2页
Journal of Hubei Radio & Television University
关键词
谷崎前期文学
恶
日本传统美
残缺与永恒
Tanizakijunichirou's early works, devil, Japanese traditional aesthetics, deformity and eternity