王世贞史学思想与山水画史“五变说”

Wang Shizhen’s Historical Thinking Reflected in His "Wu Bian Shuo" of Chinese Landscape Painting

明代基本没有影响较大的大部头画史著作,尤其是关于山水画史的。然而在明代总结山水画史脉络的言论却层出不穷,从宋濂到王世贞、何良俊、詹景凤,再到著名的"南北宗论",在这些著者当中,王世贞是一个极为特殊和复杂的人物,既有历史学家的学养,又有收藏鉴赏家的眼光,他的山水画"五变说"基本没有遭到后人的质疑,这与他的史学思想是密不可分的。"五变说"的接受是一种史学接受,不是风格学意义上的接受。

There were not more influential works on art history, especially on Chinese landscape painting, in the Ming Dynasty. But there were rich views on the history of Chinese landscape painting style aired by from Song Lian to Wang Shizhen, He Liangjun, Zhan Jingfeng, at last to the famous ＂Nanbei Zonglun＂. Among these figures, Wang Shizhen was quite special and complicated, having the historian＇s accomplishment and the collector＇s eyes as well. His opinion about Chinese landscape painting has hardly been has much to do with his historical thinking. The acceptance of queried by later researchers, and this phenomenon ＂Wu Bian Shuo＂ is the historiography acceptance rather than the style acceptance.