中国早期左翼电影暴力基因的植入及其历史传递——以1932年的《火山情血》为例

Historical implanting of violence in the early Chinese left-wing movies——A case study of Blood of Love in 1932

早期左翼电影在借助旧市民电影传统的爱情主题、故事框架和叙述模式的同时,基本上已经具备了相对完整的、激进的左翼思想和革命立场,以及相应的左翼电影模式;值得特别注意的是,孙瑜编导的《火山情血》,将旧市民电影中一直旺盛活跃的个体性暴力基因移植到影片当中,在完成为以后完全意义上的左翼电影铺设阶级暴力意识和暴力革命模式的同时,又为1949年以后大陆电影的阶级革命和革命暴力模式奠定了基础。

On basis of love, fiction and narration of the old tradition, the early Chinese left-wing movie gradually forms its own format, in particular, of the movie of Blood of Love directed by Sun Yu, which transforms the popular individual violence into the movie. Thus, the sense and model of violent revolutions become a foundation of the movies of class struggle after 1949 in the mainland of China.