论贾平凹《秦腔》的独特叙事艺术

On Jia Ping-wa's Unique Narrative Art of Qin Opera

贾平凹《秦腔》争议最大的莫过于给读者带来的阅读障碍。其原因在于小说的叙事手法:在叙事节奏上,以细节密实造成节奏的缓慢,使人感觉不到时间的移动;在叙事技巧上,借用《红楼梦》中人物姓名暗指的方法,组成人物长卷浮世绘;在叙事道具上,运用秦腔乐谱、对联和绘画,进行隔断转换、时空挪移,构筑多维的艺术符号世界。

The most controversial view on Jia Ping-wa＇s Qin Opera is the reading obstructions to readers. The reasons lie in the narrative approach in his novel： the narrative rhythm - his dense, slow rhythm in narrating causes the readers can not feel the movement of time; the narrative technique - he borrows the implied meaning naming method in Dream of Red Mansions to make up a long scroll Yamato-e of the characters; the narrative props-he uses Shaanxi opera music, couplets and paintings to cut off conversion, divert time and space, and then builds a multi-dimensional symbol art wnrld.