摘要
伯纳德指出,每个人都生活在单一性别的世界中。在男性世界中,女性的成功不被认为是社会所需要的。作为一个在传统汉文化背景之下的"商业文化"中取得成功的一名女性,邓丽君的成功必然有着社会与个人、家庭等方方面面的因素。本文从20世纪60~80年代的台湾、大陆、日本三地的社会环境分析入手,分别从社会、个人以及听众、音乐和历史的角度试以解析邓丽君歌曲在当时流行的原因。
Bernard points out that everybody lives in a single sex world. The female success in the male sex world isn't regarded as necessity by the society. As a female who succeeded in the "commercial culture" under the traditional Han nationality cultural background, Deng Lijun's success is inevitably associated with such factors as society, individual, family, etc. Based on the analysis of the social environment in Taiwan, mainland and Japan in the 1960s-1980s, this essay analyzes the popularity reasons of Deng Lijun's songs at that given time from the aspects of society, individual, audience, music and history.
出处
《乐府新声(沈阳音乐学院学报)》
2009年第3期144-153,共10页
The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
关键词
城市民族音乐学
城市音乐文化
音乐社会学
东方音乐风格
日本演歌
邓丽君
urban national musicology / urban musical culture / musical sociology / orientalmusic style/ Japanese Enka / Deng Lijun