从城市民族音乐学视角看“邓丽君现象”——关于邓丽君歌曲在大陆、台湾和日本的流行原因研究

The Exploration of "Deng Lijun Phenomenon"from the Angle of Urban National Musicology——The Research into the Popularity Reasons of Deng Lijun’s Songs in Mainland,Taiwai and Japan

伯纳德指出,每个人都生活在单一性别的世界中。在男性世界中,女性的成功不被认为是社会所需要的。作为一个在传统汉文化背景之下的＂商业文化＂中取得成功的一名女性,邓丽君的成功必然有着社会与个人、家庭等方方面面的因素。本文从20世纪60~80年代的台湾、大陆、日本三地的社会环境分析入手,分别从社会、个人以及听众、音乐和历史的角度试以解析邓丽君歌曲在当时流行的原因。

Bernard points out that everybody lives in a single sex world. The female success in the male sex world isn＇t regarded as necessity by the society. As a female who succeeded in the ＂commercial culture＂ under the traditional Han nationality cultural background, Deng Lijun＇s success is inevitably associated with such factors as society, individual, family, etc. Based on the analysis of the social environment in Taiwan, mainland and Japan in the 1960s-1980s, this essay analyzes the popularity reasons of Deng Lijun＇s songs at that given time from the aspects of society, individual, audience, music and history.